A high male wail with plenty of reverb is backed by some pounding tomtoms and guitar in "Let the music be alive," giving this song a sound I remember hearing a lot in the late oughts (2005-2010 or so) from indie rockers like Band of Horses, Kings of Leon, Cold War Kids, etc. The song clocks in just over two minutes, leaving me feeling a bit disappointed; this is the kind of sound I could really get into, with the possibility for epic builds and breaks. I'm eager to check out more from Seattle's Wes Speight (aka, WES SP8).